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DINING ROOM:
The intervention entitled An Unlikely Outcome (2015), refers to the disastrous conflagration (town fire) in January 1904 which left Ålesund in ruins and triggered the rebuilding of the town in Jugendstil style.
For the installation in the dining room, a wooden board with exactly the same size as the dining table was used. Then holes were sawn in the wooden board, all of them shaped after the outlines and contours of all the objects placed on the table, including plates, glasses, cutlery, candlesticks and napkins. The wooden board was then charred so that it turned black, and finally it was installed a few centimeters above the table-top so that it appears to hover in the air. Hereby, the tableware –belonging to the museum’s permanent collection– partially emerge from the holes of the burnt wooden board, and thus insinuate a sort of “double geography” of the Jugendstil upper-class table, almost as if two sets of historical and sociological meanings overlap each other.
ROOM # 1:
Here two series of images, Ubi consistam and Hallucinations, contemplate the relationship between man and earth, in which the term “earth” connotes “geology” and “shelter”.
The series Ubi Consistam (2015) consists of colour prints that depict remarkable, peculiar and almost anthropomorphic mineral formations. Each of the images is mounted on a thick plywood sheet, whose surface first has been charred black, and then covered by a layer of red wax. Here the artist has experimented with the pictorial surface, and the potential of the “invisible” substrate beneath. By the use of a gouge many holes have been created in the paper on which the images of minerals are printed, and by the use of a counter sinker crater-shaped holes have been made in the surface of the underlying charred and wax-covered plywood panels.